In this presentation, Ricardo Cedeño Montaña will describe some of the particular principles, mechanisms, and techniques by which color film functioned in its formative years and the coding schemes for (re)producing, storing, and transmitting color information in electronic and digital media. Using a media archaeological approach to technical media, Cedeño Montaña will show that color in technical media is anything but stable and such instability implies different contexts of sensory data processing and storage.

Find more information here.